Europe is in an economic recession and it is flooded with refugees who cannot speak the language of their new nations and who have difficulty finding work that will pay enough to support their families, or even a single person. In this post 9/11 world refugees inhabit areas around Europe’s cities and some mosques are centers of religious radicalism where young men are recruited to terrorize the West. Portrait of a Spy(Gabriel Allon Series, Book 11) by Daniel Silva deals with an environment we recognize from our very recent past, a set of circumstances that could easily flare up again in the future.
Gabriel Allon, now a retired Israeli spy, leaves his cottage in Cornwall to visit Isherwood Studios in London, run by Julian Isherwood, friend of Gabriel and of Israel. Gabriel is a talented art restorer who often restores damaged paintings, sometimes for Isherwood. Gabriel’s wife Chiara is with him. As they are walking near Covent Garden Gabriel spots a suicide bomber. Bombs have been used in the past few days in Paris and in Copenhagen, and a bomb is about to detonate in Central London.
No one else identifies this man as a terrorist but Gabriel’s experiences set off warning signals. He even knows what time the bomber will trigger the detonator because it is timed to when a plane hit a target on 9/11. Gabriel is almost on time to stop the killing. Gabriel has his gun out to shoot the bomber when two London policemen arrest him. The bomber detonates. Gabriel’s guilt calls him back to duty as a spy. He even has a fair idea of who is running this group of terrorists. When he is vouched for by Graham Seymour, head of MI5 he joins forces with Adrian Carter of the CIA in Washington, DC and a cohort he has hunted down bad actors with on the world stage many times. Chiara is on board and eventually his team joins him in the new high tech national security center in DC.
The man Gabriel is seeking has been out of view for years and is believed dead. But Gabriel does not believe it. Word is that the terrorist group is running out of money which means these guys will go to ground for a while. Gabriel visits a young and wealthy Arab business woman he met when she was a young girl in the South of France (Book #6, The Messenger). Nadia al-Bakari was with her father (a wealthy funder of terrorists) when Gabriel killed him. She is also a philanthropist, helping especially Arab women. Nadia forgives Gabriel and agrees to buy a recently restored painting to create pool of invisible money that will go to tempt the terrorist and his group into the open.
As usual with Gabriel Allon spy thrillers the plan unfolds in great detail before we get to the actual op and the usually violent end game. Terrorists and other bad actors who stay hidden are well-guarded and very paranoid. They are hard to kill. Gabriel does not usually get off without injury. We always wonder what will happen to him this time. He also does not like to put others in danger, although he will do what he must to take out someone whose intent is to harm many. How do things turn out for Nadia?
It is Silva’s contention that Saudi Wahhabism has led to a good deal of the terrorism unleashed on Europe and America. He also feels that America’s supposed Allies, the Saudi’s, are responsible for the attacks on the World Trade Center and the Pentagon and the intended attack on Washington that shocked America and the world. And yet we remain tied to Saudi Arabia, probably for oil more than loyalty. A fiction author, such as Daniel Silva, writing a spy thriller like Portrait of a Spy, is freer than others to speak candidly about his world view and these spy thrillers always connect to events in the real world. This one upped my heart rate.
Equally bizarre, as I am writing this it is 9/11, seventeen years later, and they are reading the names of those killed in the attack on the Twin Towers at the World Trade Center on my TV news. A most strange coincidence.